CRAFTS
Calendar of Courses
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3 events,
FULLY BOOKED: EASTER EMBROIDERY EXTRAVAGANZA (SPECIAL PRICE)
Enjoy trying different hand embroideries, whether you’re a newbie or oldie, on this seasonal escape. Choose from a selection of kits to include techniques in Crewel work, Calico Gardens and counted thread works. Can become addictive! Materials available from Angie. Angie Burt (Lancashire highamhall.com/angie-burt) SPECIAL PRICE 3 Nights for the price of 2: Residential: £280
FULLY BOOKED: RAKU POTTERY WITH CHRIS BARNES
Chris will help you to create your own pieces of raku pottery and sculpture, and experience the excitement of raku firing. With lectures, demos and (hopefully) a trip out whilst some things are firing! Chris Barnes (Cumbria highamhall.com/chris-barnes) Residential: £575 Non-residential: £405
WHITEWORK EMBROIDERY
White-on-white embroidery. Sample different types and techniques of Whitework or work on your own piece. Angie Burt (Lancashire highamhall.com/angie-burt) Residential: £290 Non-residential: £210
3 events,
RUSKIN LACE
A Lake District speciality since the late nineteenth century, Ruskin lace was made from hand-spun and woven linen produced by cottagers around Coniston. Karen is a leading exponent of this heritage craft who brings extensive knowledge to support and guide you in traditional needlepoint lace techniques along with drawn thread and cut linen work to
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JEWELLERY MAKING: SILVER CLAY
Silver Clay is a remarkable material made up of fine silver particles, an organic plant-based binder and water. It can be moulded, rolled, textured and shaped to create hand-crafted pieces which are then fired and polished to make fine hallmark-quality silver jewellery. With expert guidance, make up to three professionally styled pieces over a weekend.
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WOODCARVING: CREATIVE RELIEF CARVING
Relief carving is the process of cutting a pattern or design into a flat surface. For those new to the craft, Sharon will gently guide you through the process of transforming a block of wood into a unique image in relief with generous one-to-one support, technical instruction and extensive knowledge of her subject. Bring your own visual
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WOVEN TAPESTRY: LANDSCAPE TO WEAVE
Capture the essence of Higham's gardens and the surrounding landscape first in yarn and then directly into weave. The second in a series of 3 separate courses led by international award-winning tapestry artist Louise. See also TAPESTRY DAY (10 April) and WOVEN TAPESTRY: TREES, (12 to 14 April). Louise Martin (Orkney www.highamhall.com/louise-martin) Residential: £295 Non-residential: £215
WOVEN TAPESTRY DAY (MATERIALS PROVIDED)
WOVEN TAPESTRY DAY (MATERIALS PROVIDED)
This one-day course serves either as an introduction for those new to tapestry or as a refresher covering the fundamentals of tapestry weaving. Looms will be ready for you to start weaving an image of a tree. The first in a series of 3 courses led by international award-winning tapestry artist Louise during her spring
3 events,
WOVEN TAPESTRY: TREES
This course will focus on observing form and texture in the trees at Higham. We will look at how trees have been portrayed in tapestry and explore various weaverly possibilities. The last in a series of 3 separate courses led by international award-winning tapestry artist Louise. See also TAPESTRY DAY (10 April) and WOVEN TAPESTRY: LANDSCAPE
3 events,
LINO CUT PRINTMAKING
Produce your own lino cut designs to create individual and decorative printed cards and pictures using traditional lino cut printmaking techniques with expert guidance from Clare Melinsky. Clare is a professional illustrator whose sought-after designs can be seen on product packaging and book covers, magazines, cards and even postage stamps. All tools and materials needed
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BEADED EMBROIDERY
Embroider with beads on silk fabric. Learn different stitching techniques to create intricate beaded designs. Taster kits available from £20.00 upwards. Angie Burt (Lancashire www.highamhall.com/angie-burt) Residential: £290 Non-residential: £210
1 event,
FULLY BOOKED: BOOKBINDING: RESTORATION
Old books are irreplaceable, but often their pages and bindings show signs of fragility, decay or damage. This course focuses on the processes of deconstruction, repair and conservation that can extend a book’s usable life for many decades. Students are invited to bring along at least three books (no larger than A4) to be guided