ART
Calendar of Courses
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INSPIRED BY ST IVES
A new and delightful course working in the studio from imagery and still life arrangements. Bring along your images from visits to the coast and interpret them with inspiration from St Ives artists Ben and Winifred Nicholson, Peter Lanyon and Wilhelmina Barns-Graham amongst many others. This is a course for those with some painting experience.
FULLY BOOKED: PORTRAITURE (CLOTHED LIVE MODELS)
One of the essential skill sets for artists, during this course we will focus on the clothed model and will include working from live sitters. You will be guided to experiment towards a freer, yet meaningful drawing style. You will expand, refine and challenge your drawing practice whist reinforcing all the essential fundamentals with in
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SKETCHBOOKS FAST & LOOSE: LINE AND TONE
Artful games to get creative inspiration flowing. Learn new ways of seeing objects, recording swift impressions using your sketchbook, so this becomes an essential aid to design and art projects. Use black-and-white and monotone to record what you see, without feeling that it needs to be a photographically accurate representation. Sketchbooks have been used by
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FULLY BOOKED: BOTANICAL WATERCOLOUR PAINTING
The flowers in the garden may be gone, but pot plants, florists’ blooms and even fruit, nuts and vegetables provide us with a range of subjects to study in watercolour. Individual help and frequent demonstrations will help both experienced and beginners to produce an accurate portrayal of the chosen subject. Marion Wilson SBA Residential: £410
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ON NOT KNOWING: HOW ARTISTS THINK
Join our principal Lizzie to explore contemporary artists' practices from a curator's point of view. I will introduce you to a range of artists' practices and their wider cultural and art historical contexts through lectures and studio visits with local artists. We will consider the questions that artists face every time they enter the studio:
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FULLY BOOKED: INTRODUCTION TO MEDIEVAL MANUSCRIPT ILLUMINATION
Use skills passed down by medieval craftspeople to create small designs using 23 carat gold and pigments. No drawing experience is necessary. A selection of medieval and contemporary designs are available to trace, including illuminated letters, but creativity is welcomed. Toni Watts Residential: £325 Non-residential: £240 (incl. materials)
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MANUSCRIPT ILLUMINATION: MORE CHALLENGING TECHNIQUES
This course is only suitable for those with experience in laying manuscript gesso and using loose leaf gold. During the workshop you will work on three small projects, one which will combine flat and raised gilding, one which combines different colours or textures of gold (with the option to add tooling) and one where you
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BOTANICAL ART IN COLOURED PENCILS: DEPICTING HOUSE PLANTS
In the winter months, when botanical choices are limited, house plants can provide some interesting challenges for the botanical artist. They have undergone a recent revival in popularity and there are lots of interesting and often unusual types to choose from. Flowers can be optional - or exotic - but colour may also be a
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DRAWING THE FIGURE WITHOUT A MODEL
If you have ever wanted to be able to draw figures without always having to rely on reference material then this course is a great introduction. Jason Skill, your tutor, taught life drawing for many years and found that basic construction drawing was the key component that helped students become more confident and capable at
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FULLY BOOKED: BRIGHT COLOURS IN A DARK MONTH
BACK BY POPULAR DEMAND, this short painting course with Robert will focus on getting to grips with the creative potential of Derwent's Inktense blocks on Canson cotton rich watercolour paper (all materials provided). This highly versatile new painting medium allows for bold mark-making, glazing and layering - perfect for achieving expressive, semi-abstract compositions. We will
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FULLY BOOKED: OUT OF THE DARK: POETRY PAINT PROCESS
This is an experimental creative course aimed at anyone interested in the relationship between words and images. Making the most of the long nights at this time of year, we will explore how we see differently in the dark, using experimental techniques to draw images out of darkness and find texts which shine a light