EVENTS
AN INFORMAL (& FREE) WOODWIND CONCERT – IN TWO HALVES
Higham Hall College Bassenthwaite Lake, Cockermouth, Cumbria, United KingdomAll are invited to share two 45-minute concerts at 11am and 2pm, spanning lunchtime, given by diploma-standard players, completing a masterclass here at Higham with Laurence Perkins. A little audience
RECITAL: THE INSTRUMENT OF THE DEVIL
Higham Hall College Bassenthwaite Lake, Cockermouth, Cumbria, United Kingdom“CLAR’NETS, HOWEVER BE BAD AT ALL TIMES ... DEPEND UPON’T, IF SO BE YOU HAVE THEM TOOTING CLAR’NETS YOU’LL SPOIL THE WHOLE SET-OUT”. So said Michael Mail and Mr Penny
SHAKESPEARE IN THE GARDEN: TWELFTH NIGHT
Higham Hall College Bassenthwaite Lake, Cockermouth, Cumbria, United KingdomWe welcome back the Festival Players for this great comedy and hope for good weather! Open 1.30 pm for picnics. Doggies with well-behaved owners welcome. The Festival Players www.thefestivalplayers.co.uk
SUNDAY LECTURE: VISUAL ART, LANDSCAPE AND THE ANGLO-SCOTTISH BORDERS
Higham Hall College Bassenthwaite Lake, Cockermouth, Cumbria, United KingdomIn this lecture, art historian and academic Ysanne Holt will share her current research on the cultural history of this region, exploring artists’ engagements with the landscapes of this cross-border
WILL FINN AND ROSIE CALVERT IN CONCERT
Higham Hall College Bassenthwaite Lake, Cockermouth, Cumbria, United KingdomJoin Will Finn and Rosie Calvert for festive spine-tingling harmonies and rousing instrumentation with warm and witty stage presence - a show not to be missed! Will Finn and Rosie
A NEW YEAR VIENNESE CONCERT BY CANDLELIGHT
Higham Hall College Bassenthwaite Lake, Cockermouth, Cumbria, United KingdomA varied programme of Viennese music (Haydn, Schubert, Mozart, Beethoven and others) performed by candlelight Laurence Perkins and friends. tickets £18 or £32 for 2. Includes a glass of wine in the
SUNDAY LECTURE: ‘THE WORLD OF THEATRE IN SHAKESPEARE’S TIME’
Higham Hall College Bassenthwaite Lake, Cockermouth, Cumbria, United KingdomWhat was the theatre world like in Shakespeare’s time? How did this context affect the form and content of his plays and those of his contemporaries? Clare explores the impact