Tim Stimson – (Art History)
- cultural/art historian in C17th-C19th art and society from Lincolnshire
- former professional painter/ ceramicist in Scotland and Wales
- has lectured for Cambridge University residential colleges, WEA and NADFAS
- has guided international tours of the many European galleries
Feedback for Tim:
"l just want to let you know how stimulating and lively Tim’s presentations kept us enthralled.I am delighted he has pencilled in a [future] course"
BLAKE & PALMER: VISIONARY & DREAMER
William Blake, renowned for his poem ‘Jerusalem’, is England’s greatest poet/painter. A young disciple of his, Samuel Palmer, found his spirituality in the English landscape, painting images unique to British art. Blake’s complex theology and dramatic pictures are in stark contrast to the gentle pastorals of Palmer’s English countryside. Tim Stimson (Lincolnshire www.highamhall.com/tim-stimson) Residential:
FULLY BOOKED: SWEDISH IMPRESSIONISM: ART AND SOCIETY TRANSFORMED
In this course we will look at The Opponents ,who can be likened to the Swedish Impressionists. Carl Larsson and Anders Zorn, with other significant artists, evolved new ways of depicting their world, whilst concerned that their art should also contribute to a more enlightened society, which they successfully helped to create. Tim Stimson
FULLY BOOKED: THE PRE-RAPHAELITE BROTHERHOOD
Higham Hall College Bassenthwaite Lake, Cockermouth, Cumbria, United KingdomIn this course of illustrated lectures & discussion we will investigate the contribution made to the art world by three great Victorian painters - John Everett Millais, William Holman Hunt and Dante Gabriel Rossetti. Their art embodies so much that is at the heart of English identity: poetry, love of nature, love itself. Long the
DANISH ART: THE GOLDEN AGE
Higham Hall College Bassenthwaite Lake, Cockermouth, Cumbria, United KingdomFrom the early crisp, clear, bright & cheerful images of a gentle landscape and its people in the 19th century, Danish artists evolved a fascinatingly rich diversity of approaches in the dynamic period between 1800 and the early 20th century. British art collections contain few Nordic pictures, so for many these artists will be a